Planet Textile Threads

July 03, 2009

Tanya Watanabe

Birthday

Yesterday was my birthday so I celebrated by spending the day doing exactly what I wanted to do! I guess this whole summer I've basically done just what I want to do so it has been a good month.




As always, I took a morning walk and yesterday Leiya and my niece joined me. I don't think either of them really want to go walking in the morning but they do it to keep me company. We took a harder jaunt than usual up to the hills over looking the city. Every year I come up to this point at least once because I love the scenery. If I could just get here a little bit earlier I'm sure I could catch a spectacular sunrise but I draw the line at walking the Southern California streets while it is still dark.

Marcy and I decided to cash in all the change that we found in Grandma's drawers during our cleaning. I'm surprised the bottom of the drawer didn't fall out! We could hardly lift the drawer from the dresser! Mother has just been dumping her loose change from her purse into the drawer for the last 10 years and the total was $404!!

Takumi turned up suddenly to take me on a birthday date! I am so surprised that my son remembers my birthday, comes to surprise me, and will take me to lunch! My son has become a man!



But I guess he still is a kid at heart because he wanted a Blizzard (you know, those thick ice cream things that can be turned upside down and they still won't drip) after lunch.

And in the afternoon I did some sewing. Yes, Brenda Lou, you did spot a sewing machine right off my mother's kitchen. Marcy picked out some fabric and a pattern for me to make her a table runner so I sewed that up last week and did some random machine quilting on it. My mother found this a fascinating process and spent over an hour peering at sewing machine. She also found it absolutely hilarious that I concentrate so hard that I stick my tongue out while I quilt. Hey, I didn't know that! Thanks for the information Mom. I'm glad I added some humor to your day! (Unfortunately I stitched in a big tuck in the backing but Marcy promises not to show the back to any experienced quilters.)

And Kiana also picked out some fabric and a table runner ALL BY HERSELF!!! I think I've got a budding quilter!! She wanted four-leaf clovers quilted onto it so I am still in the middle of that project.

In the evening Marcy's family came over to help me celebrate and my family gave me a Willow Blessings figure, t-shirts and gift cards to Barnes and Noble, Jamba Juice and JOANN'S!! Let's see how much sewing I can get in this last week!

And I guess my birthday gift to myself was another blog book. I am desperately behind on this endeavor (this is still the latter 6 months of 2007!) but I am very satisfied with the Blurb book making website and I guess I'll continue in this vein. This is why a few days ago I was philosophically pondering (while I went through all my mother's stuff) why we humans feel the need to record our history for posterity. Ah well.

by Tanya (TaniWa07@gmail.com) at July 03, 2009 12:15 AM

July 02, 2009

Olga Norris

A good read


It has been a while since I wrote about what I've been reading. My last exultant cry was at the completion of Volume 2 of the Picasso biography. After that I read the catalogue for the Picasso: Challenging the Past exhibition at the National Gallery in London. It was an interesting read even though I had not seen the exhibition; but in a way I was caught up with Cubism, and so I suspect I shall return to the catalogue later in my progress through his life and work.


On loan from a friend, I read a few of James Lee Burke's books, including Tin Roof Blowdown, and am impressed with his ability to conjure a place, its feel, food, sounds, and smells. However, unfortunately, I quickly found that the plots were formulaic, so I shall have quite a gap before reading another.


I had looked forward to Barbara Nadel's Ashes to ashes. This is in her series of books about an undertaker in the East End of London between the two World Wars, and I have found the first two fascinating historically, and was anticipating the third. Disappointment ensued. This one is set wholly in St Paul's cathedral during a bombing raid, and did not engage me at all. I found it to be the product of lots of fascinating research but lacking a good story.


On the other hand, my current bedtime reading is Barbara Nadel's latest Inspector Ikmen novel:River of the dead (sorry, previously I had put Pretty dead things), and I am thoroughly enjoying that. Indeed were it not for Wimbledon tennis being on this week I would be wanting to plough on with reading the novel.


Donna Leon's The girl of his dreams is her enjoyable latest novel set in Venice. That with An incomplete revenge by Jacqueline Winspear, and a whole list of other detective stories are passed on to my mother - not only so that she can enjoy them, but it gives us something else to talk about. Unfortunately she sees very few people.


I enjoyed them all:

When will there be good news? by Kate Atkinson is an absorbing novel as well as a mystery, and is set in Edinburgh which is a bonus for me.

The brass verdict by Michael Connelly is up to his usual good standard.

Tea time for the traditionally built by Alexander McCall Smith is lovely, as ever - but I must admit that the books are rather amuses bouches rather than a decent meal.

Private patient by P.D.James is her long awaited latest, and I found better than her previous two.

Careless in red by Elizabeth George is ok, but I found it told me a little more about surfing than I wanted to know. It did make me think that being a writer with a series devoted to one main protagonist must be a pain at times if you want to write about something different. This novel has ex Inspector Lynley, emotionally fragile - so a known character but in an altered state, and also in this case in a different setting. However, his London police sidekick also is involved, so, .... Anyway, it's good fun.

Murder in the rue de Paradis by Cara Black is as ever fast paced, feisty, and political and I love it. Aimee Leduc is an IT wise fashion loving version of V.I Warshawski, but more enjoyable for me because it is set in Paris rather than Chicago.

A darker domain by Val McDermid was also much enjoyed, but somehow read slightly as if it was being written with later adaptation for TV in mind.


Other bedtime reading included Netherland by Joseph O'Neill, which I had bought for my husband. It is a delightful exploration of a sense of place, and struck me very much as a male version of the novels of Anne Tyler.


Talking of a sense of place, I read Real Swansea by Nigel Jenkins. This is an excellent history of the city written with a personal passion by a poet from the area himself. I enjoyed this as much as any good novel. Something had attracted me to the book in the Mission Gallery in Swansea, and I'm really glad that I bought it as the area is one we plan to revisit. Nigel Jenkins teaches writing at the University there, and if his teaching skills area as good as his writing, I envy his students.


A short history of progress is an interesting publication of lectures by Ronald Wright. It tells of what we have not learned from our history, repeating mistakes made even in Neandertal times. Subjects such as these can be fascinating, but also rather depressing comment on the inabilities of human kind.


Deaf sentence is by David Lodge, a witty writer whose work I enjoy. Once more it is set in a university milieu, and includes the humour and sadness of human interaction - and in this case the difficulties of growing old.


This is mostly bedtime reading. After the Picasso I have not read much 'serious' stuff. I did enjoy Linocuts of the Grosvenor School, and of course the Penland book on bookmaking which I raved about a couple of posts ago. Finally - I have just read the catalogue of the Unpopular Culture exhibition we saw last year. The catalogues had been sold out at the time, and it was good to revisit the subject. Indeed we are going to try to catch the show again on its tour round the country.


I have now read most of the catalogue for the Richard Long exhibition. Once more it is an excellent publication with the initial essay illuminating influences on Long during his student days. I found the description of composer John Cage's philosophy at the time fascinating, and I suspect that once I have finished the final essay I shall return to re-read the book before going on to Land and Environmental Art.



by Olga (noreply@blogger.com) at July 02, 2009 10:13 PM

Tonya R

Scream, Boo Times Two, Soar

My friend Siobhan tried to say that she was the most procrastinatingest of them all. Ha! I got her beat by a mile. Here I am finally finally finally posting the last assortment of the lovely blocks ya'all have sent me. I think I have them all straight, who sent me what, but please let me know if I've made an error.

First up is this delicious scream by Mary C. Look at that awesome A - it's dipping a toe into the water.

Patti F sent me these fun boos. She tried to claim that one of these had an error, but I'm sure not spotting it. Wonderful!

Annie O (of Annie's Quilt Orts) made the fabulous soar - she wrote about making it here. There are NOT too many seams - you did a great job. What a fun font - art deco inspired?

Brown Dirt Cottage Belinda sent the fun stripey hugs - she's got great serifs on these letters.

True Blue Quilting Nana Nancy made the hearty joy. What a novel way to make an O!

Dye Candy's Chris Daly used some of her gorgeous hand-dyed fabric to make this beautiful live. I LOVE this i. Chris kindly sent me some of her fabric - the apricot, orange, pink and lime green colors in particular are gorgeous, but eek, I forgot to take a photo of it before I cut it apart to sew. Oops. I mixed them with other fabric and made a really cute quilt though!

Juliann is living large with this lively live. Mary C (who made the scream up above) showed that she cared - love the A, it's so jaunty.

I was thrilled to get leftovers. Annie sent me an O and Nancy a hearted O and a Y. I don't know why she didn't like her Y and redid it...

Mary also sent me a couple of fun liberated blocks - these will go into the orphan block stash!

On a completely different note, I got some beautiful Bonnie Blues from the Fabric Square Shop. I know, they aren't my usual brights, but they'll be great in the right project.

Can't leave you without a kitty pic. Here's a sleeping Pokey. She continues to do well.

She's fine, the other kitties are fine, my husband made it safely back to Paris. All is good.

Yesterday I had a fun time sewing at the JaMPatch. We all worked on our own projects and the folks I was with made reindeer names. Very cute and of course I forgot to take pics... I worked on my latest scrappy hope quilt. More about that in another post.

Today I was good and finished up a quilt top. Slither, Eek, Boo is complete and it is big. I have lots of photos to share another day.

I am sooo behind on this blog. I'll catch up now that my sweetie isn't here distracting me.

Forgot to mention in my last post that Gwen's new book is being published by AQS and will be out in Spring 2010. Wish it were sooner, but am just plain old happy it's coming out.

by Lazy Gal Tonya (tartbr47@hotmail.com) at July 02, 2009 10:26 PM

Natalya Aikens

cat...

I do not remember the last time I drew a cat. Must have been in high school.. But down in North Carolina, a friendly neighborhood cat presented the opportunity to me. Every now and then when she would tire of allowing my children to pet her, she would lounge around long enough for me to do a quick sketch. Thus my journal sketches for those days... I better practice some more! I am experimenting with watercolor pencils, it's fun.

by Natalya (noreply@blogger.com) at July 02, 2009 03:59 PM

Terry Grant

Colorful birds



I took the birds that I have finished this week outside to pose them in the sunshine. It was almost too bright for a good photo, but here they are. The yellow, black and red bird at the end of the line is the one I used some of my African fabrics for. I really love how he turned out. So much that I used some more of my African fabric stash for the one next to him. The gold and red fabrics seem quite typical of African fabrics, but the ones I used for the second bird, not so much. The two main fabrics are quite an unusual color scheme of chocolate brown, purply pink, coral and accents of metallic gold. As I've said before, choosing the fabrics is the best part of the process. The other part I really enjoy is watching the personalities of these birds emerge, without much control on my part. One will develop with his head slightly tilted to one side, much like a real bird, another will balance only if I stretch the legs a bit and make him stand up very tall. Some, like the blue one, seem just about to fly away.

Here is a closeup of the African fabric bird. I guess he is a special favorite of mine. I think he will be named Joseph. Remember the Paul Simon song "Under African Skies"? Have you figured out that I am naming them in alphabetical sequence? It will help me keep track of how many I have made and sold and is much better, in my opinion, than giving them numbers! I have to think a little bit about, not only names starting with the next letter, but which one suits the bird. This Joseph's face is not "black as the night" but perhaps he does carry a little spirit of Africa within him. And how do I know if the bird is male or female? Well, I just know.

P.S. Here is one of my favorite versions of the Paul Simon song—a duet with Miriam Makeba.

by Terry (noreply@blogger.com) at July 02, 2009 12:55 PM

Neki Rivera

full circle

mali shibori
Today is going to be fiendishly hot so i don't know how much i'll be able to dye.
More interesting things about ai i've found when doing some cross reading. Pardon my being so emphatic, but there are some people who have reading comprehension problems and this is meant for helping them. Found an excellent article here on indigo in Mali. As the material i'm using comes from there i could extrapolate one ot two things. Are the extrapolations correct? Will have to test them.

i also resurrected one of my first dye books an erudite treatise by Lenor Larsen called The Dyers Art , a socio-anthropological cross cultural study of dyeing and patterning methods. Not a how to, but incredibly valuable information is found in it.
And to close the circle the photo is a beautiful rough cotton textile from Mali.i
have my doubts whether it was dyed with natural indigo. But beauty is beauty nonetheless.


neki desu


view CCLicense
Creative Commons License

by neki desu (kangies@yahoo.com) at July 02, 2009 11:14 AM

Virginia A. Spiegel

Plenty

undertheneedle

I already know, consciously (What Makes A Series Work) and unconsciously that my artwork is driven by meaning.

But these past few months I have fallen in love again with my materials. I haul out 20 gallon containers of schnibbles. I laugh out loud at the overwhelming jumble of scraps, snips and threads that a truly sane person (non-fiber artist) would have chucked long ago.

I sink my arms down to the elbows and marvel at the compost of my art making — the softness and the plenty of it all. No wonder I throw nothing away; here is the vibrant history of all the fabrics I have ever painted.

I pick up my new scissors and revel in their sharpness and the smoothness of their cut. My new pins line up in yellow-tipped single file along the top of my design board. Oh, the luxury of having a sister who knows just what to buy me for holiday gifts.

scissorsweb

I open a small green box and look at a tangle of spools of variegated thread, shut away years ago as just too weird and just too little of any one kind. Suddenly these threads with their crazy pink, yellow, blue, green and purple combinations are perfect for sewing together thousands of small pieces.

I celebrate each plastic core as it spins empty on the thread holder. Off it comes and another wild spool begins its journey to emptiness.

I fill five bobbins at a time and listen to the purr of the bobbin winder. The next time I fill ten bobbins. Why not? There’s plenty of thread and plenty of bobbins.

It is sheer joy to luxuriate in what’s already here in my studio. To use, freely and happily, the abundant fabric and thread accumulated over time.

What a relief, in this day and time, to find myself luxuriating in the things I love most.

by admin at July 02, 2009 10:36 AM

Margaret Cooter

Tis the season

Up and down my shopping street, watermelon is selling for 79p a kilo. There's a wholesaler on another road not too far away, on the 91 bus route, at this time of year has the shop constantly full of huge wire baskets heaped with melons, baskets stretching deep into the shop and spilling out onto the street, so much green roundness full of sweet red flesh. Sometimes you see the huge trucks (from Greece, Turkey) unloading.

by margaret (mcooter1@gmail.com) at July 02, 2009 08:52 AM

Cynthia St. Charles

New Business Card


My new business cards just arrived! I am gearing up for a big event next week. I was selected as one of only 25 Montana artists who will be participating in the National Folk Festival - an annual event that will be held in Butte, MT July 10, 11, and 12th.

This international event will attract musicians and attendees from all over the world. Last year, 60,000 people attended - that's more people than LIVE in Butte, MT!

Click here to link to the National Folk Fesitval website.

by Cynthia St Charles (cstcharles@q.com) at July 02, 2009 07:04 AM

Gerrie Congdon

The Indigo Blues

auditionfusingtable

I have been selecting and fusing some of my indigo fabrics for an Aspen themed landscape. In addition to the indigo blues, I am using some of the colors of Aspen leaves. Here is the palette, so far. I love how those golds and oranges look with the indigo.

aspenlandscapefabrics

I have been struggling this week, but not because of the bad sinus headache, that is gone. On Monday, I had my physical with my doctor. I had all good reports — my blood pressure was 114/68. I was given 2 vaccinations — pneumonia booster and shingles. Well, I have had a very bad reaction to the shingles vaccination. Yesterday, I could barely do a thing. I had a temp of 101 and finally went to bed quite early. I managed to start fusing some fabrics, but really didn’t get much done. Today, I finally felt better, but still have a hot, painful rash on my arm where I got the shot. Argh!

Tomorrow, I am taking care of M and M for Steph as she is updating her shop with some adorable new animals on Friday. How cute are these? You can find them here, on Friday.

plaid+party

Tomorrow, it will be in the 90s, so I think some water play will be in order!

I tried to take some photos of Scooter with my iPhone at the end of our walk today. He has grown quite a bit. We love him so much. He is gentle and funny and a wonderful addition to our life.

scooterJuly

scooterjuly2

by Gerrie at July 02, 2009 05:46 AM

Tanya Watanabe

Trash

I have been cleaning, cleaning, cleaning! Slowly Grandma's house is getting into shape again and it probably has never looked so good!



Each day I pick a room or a section and jump in and usually am stuck there for 5 or 6 hours. Yep... Pretty bad! First I started on Grandma's bathroom and I disinfected and cleaned out cupboards and drawers. Next I worked in the bedroom and flipped the mattress, took down the blinds, cleaned under the bed and threw away an old hamper. Another day I cleaned out the closet and Marcy and I went through all the clothes and tossed or gave away or washed almost everything. Amazing! You can see the clothes in there now!



One day I worked on boxes in the living room and Marcy and I went through paper stuff and book shelves.

Yesterday I spent the whole blessed day in the kitchen (this is a three foot square kitchen by the way!) and tossed and washed every single piece of dishware and changed the shelving mats. And when there is any spare time I've been going through photos and cleaning out the desk and bedroom drawers. Still have a ways to go on those.

The result of all this cleaning has been numerous trips to the second-hand shop and garbage cans (plural and plural again!) filled to overflowing!

Yesterday was garbage day and the garbage men came in their big hulking automatic garbage truck early in the morning. We don't have the hulking automatic garbage trucks like this in Japan so I snapped a picture of one along the main street. Unfortunately the automatic truck can't get down the little road leading to my brother's house so the garbage men have to do extra work hauling the trash bins and lifting them onto their trucks. Marcy was still in her PJs so she asked me to run out and ask the men to take all the extra garbage and bill us for it.

"Excuse me~~ Could you please take all this away and send us a bill."

"Sorry, Ma'am. You'll have to call the head office for that. They'll call us on route and we can come back later."

I ran back inside and told Marcy to call the office. Nope. We would have to wait until next week. Back outside I ran to tell the men that we'd be needing their services for extra garbage next week.

"How much of this stuff can you take next week? Does it have to be in garbage cans? Can you take this shredded rattan hamper?"

"Okay Ma'am. If there's nothing inside the hamper we'll take it now for you."

"Yes! Thank you, thank you, thank you!"

I about hugged the man. I did shake his hand.

Back inside I went to tell Marcy that the old hamper was being taken away.

"Such nice garbage men! And look! They are taking the window blinds and curtain rail away too!"

"Quick! Go take them a tip and tell them to get an In 'N Out hamburger or something."

When I got back out there, the nice garbage man had collected ALL our garbage!!! Without me even asking! I gave them their tip and thanked them with another handshake.

It feels so good to get all that stuff taken away!

Mother has not even noticed that her house has been cleaned, smells good and is no longer dark and dusty. This in itself shows me how much she has changed because this has always been a touchy subject with her. She used to take great offense when Marcy and I tried to clean or vacuum saying that she'd rather do it herself and did we think she couldn't take care of herself! Nowadays I don't think she really cares one way or the other.

Her place is looking so good I'd like to move in permanently! Good thing Tetsu can't read that last sentence.

By the way, I talked to Tetsu and he has somehow managed to tear the cartilage in his knee. So he is limping around and is anxiously waiting for me to get back so that he doesn't have to climb upstairs to feed Vel and also so that Choco can get taken for walks again. I guess I'm happy I feel needed. Poor Tetsu!

by Tanya (TaniWa07@gmail.com) at July 02, 2009 02:20 AM

July 01, 2009

Margaret Cooter

From the library again

Rather a grizzly cover, but interesting stuff inside, and a whole lot of artists new to me. Thomas Lawson, for instance: "in his view, avant-garde art had lost its adversarial character in respect of dominant culture ... he adopted a more oblique strategy [than overtly political art] called 'dialectical re-duplication', that is, turning the means of the mass media against themselves by reappropriating their images, styles and conventions of representation. Irony, aesthetic distance, ambiguity and contradictions were deliberately cultivated to reveal the hollowness of stereotypes and to slow down the process of assimilation." The strategy of subverting the system from within by accessing the art market through using an established medium (painting) and traditional genres popular with dealers and collectors, however, didn't work out as planned - "because the flow of money had so quickly replaced the flow of ideas." Lawson continues to write and lecture.

by margaret (mcooter1@gmail.com) at July 01, 2009 10:01 PM

June Underwood

Four trilliums


four-trilliums

Trilliums, who are often seen hanging out with ferns. — Jer

by Jer at July 01, 2009 08:23 PM

Pam RuBert

A Wedding to Remember

onthecliff.jpg

Twenty years ago we were married on a cliff called Battleship Rock, the place where Russ proposed to me. wedding-climb.jpg It was a hot late June afternoon, and climbing the backside of the cliff in a tux and wedding gown was a challenging affair. It’s also difficult to find a minister who wants to do this sort of thing, but Russ had a friend who also happened to be a gymnastics teacher.

wedding-guestboat.jpg

On the cliff we awaited the arrival of assorted family and guest on their poontoon boats, having been given a map and time on the cartoon wedding invitation that we had sent out a few weeks earlier.

invitation.jpg

Meanwhile, our friends in the Celtic Band played music in the nearby cove, on a handmade raft made of all found materials (an artistic idea, but a little risky considering their delicate instruments.)

wedding-band.jpg

Kids who happened to be jumping off the cliff into the water were happy to give us a few moments of quiet for the actual ceremony.

kids.jpg wedding-vows.jpgwedding-wave.jpg

And then, being such a warm day and a little nervous about the whole affair, and just luckily having a blue and borrowed swimsuit on under the wedding dress, we peeled off the wedding garb and leap into what we like to call “a life of art together.”

wedding-jump.jpg

Then it was back to Big Cedar Lodge, a happy reception, and the best twenty years of my life!

wedding-water.jpg wedding-boats1.jpg bidcedar.jpg

update: The photos in this post may seem a little dull. That’s because all our photo albums got water-soaked during a flood a couple of years ago, and though I’ve tried to restore them, they are not what they were.

We visit the rock where we were married each anniversary, and the landscape and nature there is still just as beautiful and inspiring. It’s great to live in the Ozarks and be able to enjoy the natural beauty that surrounds us here.

therock1.jpg

by PaMdora at July 01, 2009 06:21 PM

Dijanne Cevaal

Cold Weather

 



The image is of some work I have been preparing for my on-line lino-cutting course.The spiral block has been done on a speedball block and though the edges looked rough on the cuts, it printed cleanly, which surprised me. Can you see the cutting mistakes I made?It is taking a lot of time cutting the blocks demonstrating various aspects of lino-cutting- and despite the fact that there are books out ther eon lino-cutting , there is very little that is design oriented. There are some that show the work of artists utilising the medium , and though they are wonderful , the images can be rather daunting for someone starting out. I look at some of the images and think how on earth did they do that? Was surprised that dremel tools and routers and power tools are used ( I am not sure why I was surprised by this- just had not thought of it I suppose)

However I am enjoying the directions the cutting is pushing me in with this concentrated effort at creating blocks. Now to make a book with worthy content... I mean a book with images- a hand made book.
Posted by Picasa

by Dijanne Cevaal (dcevaal@gmail.com) at July 01, 2009 05:14 PM

Margaret Cooter

Painting 2

On your marks - Get set -
Interesting exercise, this - do try it at home. Take a large colour picture of a face from a magazine, crumple it and arrange it into an interesting non-flat shape, and use a viewfinder (two L-shaped bits of paper) to find an interesting composition in your now-3D object. Paint it just as you see it - crumples, ridges, shadows and all - paying attention to the local colour. The dark areas will grab the eye, but it's helpful to work from dark to light rather than light to dark.
By lunchtime I'd got this far -
During the afternoon there were one or two moments of frustration. Hmm, maybe more than one or two...
But at the end of the day everyone had come up with interesting results. Here's a sample -
In my eyes, my "finished" piece leaves a lot to be desired. Despite adding pencil to the work (I liked that effect), and then trying to paint over the pencil, and using washes, and adding darker areas, I never did get something coherent. (Also, I'm not terribly comfortable with doing violent stuff to pictures of people - even though "it's only a picture".)But mixing up the flesh tones was a revelation. Basically you start by adding one colour to white - and whether it's blue, red or yellow makes quite a difference in where you go from there. Also, whether the red is crimson or scarlet makes a big difference - with one you get grey and with the other you get brown.

by margaret (mcooter1@gmail.com) at July 01, 2009 11:12 AM

Cynthia St. Charles

Conservation Dyeing

MX Dye Gradations using Water Conservation Techniques
I call this process - Conservation Dyeing, because it is possible to "reuse" the soda ash/salt solution repeatedly. I used the same solution in the same containers to dye 12 different colors of gradations. I wanted to replenish my stash of cool colors for my quilting art, and summer is the best time for this.

Water conservation is especially important for me, as we do not have well or city water. Instead, all our water is hauled to our home in a 350 gallon tank on the back of a pick-up truck. There is an automated water station about 5 miles away, and it costs $1.50 to fill the tank (we keep quarters and dollar bills on hand for the water vending machine). When we get back home with the pick-up, the water is transferred to a cistern via gravity and a big hose. The cistern holds about 2700 gallons. Water hauling is a daily chore for our household in the summer months.
This picture shows the nearly 75 yards of fabric that I dyed using this method. It took approximately 2 weeks to complete this series.
The colors I used (shown standing somewhat vertically from left to right):

Lemon Yellow
Moss Green
Turquoise
Cobalt Blue
Deep Purple
Grape
Turquoise
Imperial Purple
Navy Blue
Forest Green
Golden Yellow with leftover Forest Green and Navy added
Truffle Brown

The fabrics laying slightly horizontally at the left side of the picture above were LWI dyed with leftover dye from each color run. For those pieces, I just dumped the leftover dye into the plastic tub containing the soda ash soaked fabric, creating several multi-colored pieces. Results below.

Below, you can see the container system I use for this process.
The 2 liter plastic water pitchers were purchased for about $1 each at Walmart (several years ago). I filled each to the 1.5 liter mark with soda ash solution. I mix 1/3 cup each salt and soda ash with 1 gallon of water to make my solution. This solution was never discarded. I refreshed it one time by adding 1 cup of solution about midway through the process. Each container holds approximately 1 yard of cotton fabric.
I keep all the water pitchers in a larger plastic tub to catch spills. I keep the lid on the larger container to help protect against evaporation. It is also easy to transport this way - everything is self contained in the larger container.
Even though this water looks incredibly murky, the dye is exhausted. Any color could be added, and it would dye true.

I mixed up 1 cup dye stock for each color.

To create the gradations, I poured off 1/2 cup dye stock and added it to the first container. Then, I added 1/2 cup of water back into the dye stock. From this diluted dye stock, I poured off 1/2 cup of dye solution and added it to the second container. This process was continued until I had a very diluted dye stock for the sixth container. I put 1 yard of prewashed, damp fabric into each container, manipulating with a long handled spoon until all air bubbles escaped and the fabric remained below the surface of the liquid. Then I left it alone for at least 24 hours.

Washout is also an exercise in efficient use of water. As I remove each yard from the container, excess solution is carefully squeezed back into the container. I toss the fabric into my dye dedicated top loading washer, which is filled to the lowest level with cold water on the soak cycle. (I don't spend time holding the fabric under running water - too much waste!) The fabric soaks in the washing machine for several hours, agitates, and is spun out. I put the damp fabric aside until I have several batches to wash out together in my water conserving front loading washer (uses only 7 gallons per load!).

Then, the fabric goes into the dryer for about 20 minutes while my ironing mangle heats up. I use the mangle to iron the slightly damp fabric.


by Cynthia St Charles (cstcharles@q.com) at July 01, 2009 08:51 AM

June Underwood

The Buckman Mural, Branch Library Ornamentation, and some tree bark


I have been painting. I now have five (5!) paintings of the East Portland Branch Library,  but nothing new worth showing yet (if ever). I have notions about painting a much bigger canvas dealing with the library, but notions are too airy to coalesce if exposed to blogging. And so…

On my way to Alder and 11th to paint, I always pass the Buckman Mural on the side of the Plaid Pantry.  It’s looking better and better:

miscMuralPlaidPantryw

This mural somehow passed Portland’s interim rules for murals. Draconian rules were installed after an advertising company got called out for its blinking neon signs and claimed that, legally, they were nothing more than murals. The City Commission forbade all such activities but the outcry made them reconsider, so they then drafted something that insisted that big signs be “art.” Apparently that didn’t go over well either, so they’ve made further concessions to “Bidness” (as they say in Texas). In the meantime, however, the Buckman Neighborhood snuck a real mural-as-art into the system where it’s been grandfathered in. It’s been sketched on the wall for a couple of years, in various states of painted completion, but I see now the artist is down to adding humans to the scene. Joe Cotter is the artist and here’s a set of nice photos to check out the artist and earlier stages.

Beyond (diagonally behind) the mural/Plaid Pantry is that East Portland Branch Public Library that I’ve been working plein air. Here’s a bit of ornamentation that decorates the window boxes under each of the old library windows.

MiscLibraryWindowBoxI’m a sucker for these kinds of things. The cement is soft and wearing in places and the windows have been cut into parts by the division of the room horizontally to make two floors, but the window boxes are still kept up. The building was designed by A.E.Doyle, who designed the downtown Public Library, and will be 100 years old in 2011. I figure by that time, I may have finished this series.

Oh yes, here’s a classic Portland sight:

miscBikeWindowLibWThat bicycle is inside the room, leaning against the glass while sitting on the “new” flooring which truncates the window glass. The leaves are reflected from the trees outside — horse chestnut trees in this case.  I like imagining this building as full of people who ride bikes to work, but in fact, I saw one of them loading batches of stuff into a Zip Car and another on a little red motor scooter which matched her helmet.

Today was the last day I’ll spend looking at the Library as I paint it — the rest is to be done in the studio. I’m going to miss the place. I got to know a number of the workers there — they kept an eye on me and would wander out occasionally, just to check on the progress.  If I ever get any painting from those days that is worth showing, I might have to go back with it. They invited me in often enough. –June

by june at July 01, 2009 02:08 AM

Sarah Ann Smith

Family history

200906blog006Wow!   A few weeks ago there was a discussion on the QuiltDesigners Group over on Yahoo, and  internet friend Diane Harman-Hoog of Quilters Keep Learning was prompted to do a quick search on me on the internet.  Diane, you see, is a maven of family genealogy (spelling?).  In just a few days, she had traced my dad’s family back to the Patrick who immigrated from Ireland in 1857, and my mother’s family back to Switzerland and Germany to 1590!!!!!!!!  She incredibly generously sent me a TON of information (and discovered that we have a common ancestor in Edward Plantagenet!) and did this extensive family tree:200906blog007

Dad’s family is the little cluster on the upper left portion.  All the rest of it is my mom’s family, which has been in the US since the late 1600s.  I had NO idea I had family ties to the Netherlands, Switzerland or Alsace-Lorraine (now France, previously Germany)!  Here’s that corner of the chart:

200906blog004

And here:

200906blog005

And then there were tons of records including my dad’s 1921 passport application.  I printed out over 100 pages of history into a binder (photo at top).

THANK YOU DIANE!

by Sarah Ann Smith at July 01, 2009 12:30 AM

Terry Grant

Cooper Mountain Nature Park

I took a break from bird-making this morning and Ray and I went to see the new Cooper Mountain Nature Park that just opened near our house. We live at the base of Cooper Mountain, which is an old volcanic cinder cone. The Nature Park is at the top, with views of the Tualatin River Valley and miles of walking trails. It just opened to the public this past weekend, but it has been in the works for more than 10 years with restoration of native plants, the planting of more than 100,000 trees and removal of non-native, invasive plants.

A lot of the amenities near the entrance are still under construction, including this future playground and a picnic area. The red building in the background is the "Nature House" a visitors center for the park.

It was a perfect day today. Not a cloud in the clear blue sky. Do you know how rare that is in this neck of the woods? We walked the short loop trail, which winds down through a grassy meadow and into woods. Lots of wildflowers in bloom.


Finishing the loop, you see this view of the Nature House with the solar panels on the roof.

I loved this thing! You put your ear up to the small opening and it amplifies the sounds of the birds.
I am lucky to live so close to the park. It will be great to watch it grow and develop over the years.
After that pleasant break, it was back to work. I made a bird from African fabrics that I will show you tomorrow. I think he's pretty special!

by Terry (noreply@blogger.com) at July 01, 2009 01:01 AM

June 30, 2009

Katherine Sands

none 105


Woohoo!  I feel like I actually got something done today.  I got a sample bag made, and it went pretty fast.  This is the Runaround Bag by Lazy Girl Designs, made, of course, in my hand dyed fabrics.  One fabric has paintstik designs on it.  I didn’t have a 12 inch zipper to match the fabrics, so making do with the yellow one I did have.  I think it looks just fine…it makes  a yellow stripe.

Front…

none 117

Back….with a heart embroidery stitch used as topstitching…

none 119

How about some antique buttons added…?

none 121

This is a cute pattern and makes up fast.  The finished bag measures 7 1/2″ x 9″. I have patterns for sale.

I am planning what shows I will be attending this fall and what I need to have done as far as samples.  This bag is one sample I wanted to make up.

On another note, I was juried into the annual Working Together exhibit to be on display at the Evansville museum from July 11 to August 28.  This is an Arts Council exhibit. I have shown this piece in another post on this blog.  It is …But Words Will Never Hurt Me (Sticks and Stones). I am happy it will be in this exhibit.

none 105

Rust dyed cotton sateen, discharge dyed sateen, screenprinting, stamping, stenciling, cotton thread, handwriting.

by kathy at June 30, 2009 09:12 PM

Rayna Gillman

I cannot tell you how many hours of work it took to get this bookcase looking neat. Probably 6 hours.

It will stay this way for a while because I am too tired to get up from the chair and take out a book. I will not show you the rest of the room. Every day, a little more goes into the trash: magazines, the preliminary printouts of the book, and untold amounts of other paper I do not need.


What is it that makes some of us such packrats and others, such minimalists? Is it our Myers-Briggs type? Are we hard-wired? Nature or nurture? I tend to think nature, tempered by nurture...but who knows?

In the meantime, this is a lesson in letting go, and I am only on the first page. As I was sorting through the crapola and moving it from one bookcase to another, piling stuff on my table to deal with with tomorrow, I found these

and these.
I will probably never need either of them again. The labels were for the slides I no longer use, and the slide sleeves were purchased about five minutes before everyone went digital. The labels went in the trash and I should do something clever with the slide sleeves, but I probably won't.

After lunch, I went to the studio to continue rearranging the fabrics on the wall to my satisfaction. I took countless photos: one for every time I changed out or moved something. By 4:00 I was toast. These are only a few of the dozen versions between yesterday and today, in no particular order.



Just as I left the studio today, a thunderstorm broke and my car was pelted with hail as I was coming up Sullivan Drive. My daylilies survived just fine.
Another long day tomorrow; I think I will skip my morning walk because I have shin splints. I thought you were only supposed to get those from running. Hmm...

by Rayna (rgillman@studio78.net) at June 30, 2009 09:15 PM

Laura Cater-Woods

June 30

Last week was spent teaching an extended surface technique workshop . We had a group of 8 wonderful people who worked well together, challenged me and each other and in general, had a great time (as evidenced by the fact that the days simply were not long enough !). A few got started on or continued with multi-panel projects. Some focused on hands-in the-stuff production of raw materials.

We began with color work, then set up creative play stations, had some demos on working with transparency as a design element, a demo on stitch issues (using tricky threads) and concluded with a group sharing and discussion.

Here’s a small selection of interesting bits from the workshop:

AA-1 AA-2 monoprinting: a gelatin plate, and bubble wrap

AA-fusedfibers fiber fusion

AA-making-friends with thread AA-stitching

Making friends with thread

AA-sheers-2 AA-monoprints-sheers

mono-printed sheers, hanging to dry

AA-more-mono AA-print AA-more-surfaces AA-ghost

AA-combining-bits AA-3more

various bits, panels and surfaces

AA-shoes AA-shoes2

what I did on Saturday, with a little help from my friends, thanks all!

***

next post i will add more photos of the raw materials produced, and some links to special artists

For details about Artistic Artifacts, one of my favorite places to teach, please visit this page.

by Laura at June 30, 2009 06:32 PM

Cynthia St. Charles

More of the Matisse Series


I am having trouble deciding what to call this series. . . . . This one shall be called Les Matisse #3. The original Matisse that inspired the printing block is called Les Velours (Velours translates to velvet, according to babblefish.com.

I love the colors in this piece. I just left it with ARTfusion Gallery in Bigfork, Montana! Hope she is able to find a buyer who falls in love with it!



by Cynthia St Charles (cstcharles@q.com) at June 30, 2009 03:19 PM

Virginia A. Spiegel

Inspiration for Tuesday, June 30 - 2009

redplant609
Blooming

I most love my gardens when they do exactly what they want, rather than what I attempt to impose.  I found this stately bloom happily growing between some pavers on the landing of the terrace garden.  It is a type of loosestrife, I believe.  This Spring I removed the label from the place I planted it last year as I thought it had died out.  No, it had just happily re-seeded itself down the slope.

by admin at June 30, 2009 10:58 AM

Neki Rivera

the importance of peace and quiet

no.4

Spent the weekend with friends at their house in the country. Simply amazing what the sounds of silence can do.Yesterday i was all over as my mental energy levels were super high.

This weaving progressed into completion and i'm actually quite pleased the way it came out.It's a tad busy, but abstract busy if that makes sense.This series are being a very enjoyable weave.
And on top of this the dyeing is going well too.Even if it's too hot outside.And it's just July.


neki desu


view CCLicense
Creative Commons License

by neki desu (kangies@yahoo.com) at June 30, 2009 10:21 AM

Terry Grant

The Bird Factory

This Etsy business has been pretty exciting. I am nearly sold out of birds. Of the eight I posted in the shop last week only one remains. So I got busy with more birds yesterday. I decided to work on three at a time, rather than just one at a time, so it has become a bit more streamlined. For example I can figure out thread colors and sew all the parts requiring that color, then change to the next. All the beaks were done one after the other. But then at a certain point each is finished up separately. As you can see above, there is one finished bird, one "skin" and assorted parts in the green basket. My stuffing tools are the blue thing, made for that purpose and a bamboo skewer. The skewer is great for little places, like beaks.

My favorite part of this process is picking the fabrics to put together and I think my sense of how I do that is one of the things that make my birds distinctive. Combining patterns and colors is an almost magical process—mostly not intellectual at all. I may have an idea of what might work and look for those specific fabrics, but mostly I just start pulling things out of baskets until it all clicks. I am not buying much new for birds, but shopping from my own stash. I did see a wonderful batik at the Mill End Store the other day that I could immediately visualize as bird wings—very delicate and branch-y. If you click the photo above for the closeup, you may be able to see it on the finished bird wings. The other fabrics used with it were pulled from my collection. While rummaging around today I came across my small cache of colorful African fabrics. I think there may be an African bird in the works soon.

I am so grateful to everyone who bought something from me this week! What a nice validation.
I have a lot of experience in retail and this Etsy business is really fascinating to me. They have a good system set up for every step of the process. My first online business was many years ago. I think 1994. I had closed my quilt shop in Ashland and moved to Portland and got involved in the first online quilt discussion group, so I started a fabric business online, called The Scrap Peddler. In those days everyone was on dialup, computers were slow and I didn't know anyone who owned a digital camera. My site had very few photos on it, certainly not photos of all the fabrics I had for sale. My scheme was to sell, at a nominal cost, a packet of samples of the fabrics I was selling, by mail order, then take orders. My customer base was small, but I sold quite a lot a fabric anyway. Eventually I got a real job and closed up the internet shop. Now, all these years later you can buy almost anything online.

Tonight all three birds are finished and I started pulling fabrics for three more. I hope to list them by the end of the week. The factory has been humming for two days now. Tonight Ray asked if my boss (me) would give me a little time off tomorrow to go check out the new Cooper Mountain Nature area just up the hill from us. I think so. That's the nice thing about working for yourself.

by Terry (noreply@blogger.com) at June 30, 2009 01:23 AM

Rayna Gillman

on the wall and on the table

I spent this afternoon in the studio, ironing (of course) and throwing things at the wall to see if I could recreate the feeling of the never-mades posted last week.

Nope.
Some of the fabrics in the original attempt have been used in other pieces either and can't be replicated or there is only a small piece left. Others have been changed -- either overdyed or overprinted -- and don't work any more. Nevertheless, I played around to see if I could start again. Took pictures, revised, took more pictures, and finally packed up and came home to make dinner.

Tonight, more ironing so I can take a pile of fabrics to the studio tomorrow. This is my feeble attempt to clear out this disaster area. Here's what I accomplished - but it doesn't really look like 3 or 4 hours worth of pressing and sorting.
I did get some ideas while I was doing this tonight: I just hope I remember them tomorrow!

by Rayna (rgillman@studio78.net) at June 30, 2009 01:18 AM

June 29, 2009

Margaret Cooter

Conceptual and performance artist Yoko Ono

It was her 3rd husband, John Lennon, who said Yoko Ono was the most famous unknown artist in the world.I knew she'd been connected with the Fluxus movement in the 60s. Or thought I knew that, but apparently she didn't want to promote Fluxus, she wanted to be independent.
She got involved in the art scene while at Sarah Lawrence college, after a childhood in Japan (and other places - her father was a banker and moved around). She was born in 1933 and was in college in the 50s (she started by briefly studying philosophy in Japan's elite university) and afterwards got a live-work studio loft in New York, which was used for concerts (John Cage was part of her crowd) and performances.

Her best-known performance is "Cut Piece" - where members of the audience came and cut away the garments she was wearing, leaving her naked on stage. She's performed that many times in many places, with different audience reactions. You can see a snippet of the 2003 version here.

Her 1964 book "Grapefruit" - with instructions for things that are to happen in the reader/participator's mind - has been reissued in the 70s and again in 2001.

She's had an extensive musical career - I like the animated music video "Walking on Thin Ice" which you can see here. This was the song she and Lennon were working on just before he was shot. Earlier this month she was in London to perform with Ornette Coleman, and was interviewed on the the Today programme along with her son, Sean (b.1975).

She made films between 1964 and 1972 - "No.4" is also called "Bottoms" and consists of a view of buttocks while the performer walks on a treadmill, with soundtrack of interviews of those being filmed, as well as those considering joining the project.
And she's an activist for peace and human rights.

In 2007 she unveiled the Imagine Peace Tower in Rekjavik, Iceland, a tower of light that is visible between 9 October and 8 December each year.

by margaret (mcooter1@gmail.com) at June 29, 2009 08:23 PM

Digital 1

The project for the three days of this module is to make a short video, maximum 5 minutes, with music or sound of our own making.

First we did a drawing to amplify and extend our written description of the inside of the mouth. Then just before lunch we were shown how to use the cameras and sent out to find images, working in pairs. Juan decided to collect keyholes -
I had a complicated little scenario planned, but while unwrapping my kitkat (chocolate bar) at lunchtime, I had another (simpler) idea.

It's in the can -
And here's a taster -
Of course the change of plan meant doing a completely different worksheet to back it up -
Homework is to research Yoko Ono and give a one-minute presentation. I realised I knew nothing about her art work - she's truly a famous unknown artist.
Other people's homework involved Sam Taylor Wood, Nam June Paik, Gillian Wearing, Dan Graham, Paul McCarthy, Bill Viola, Bruce Nauman, Pipilotti Rist , Steve McQueen, Gilbert and George, Charles Atlas

Even just a brief look at stills while finding links for these artists was quite an education - "time-based" work is new to me - you have to be patient to watch it ....

by margaret (mcooter1@gmail.com) at June 29, 2009 07:27 PM

Katherine Sands

none 014


I can’t believe it’s been nine days since I blogged here!  First I have to go out and take a walk.  The weather has cooled off considerably and this is a great morning for walking.  The intense heat finally broke here yesterday.  It was much cooler when I came out of church yesterday.  88 degrees actually felt good compared to what we have been having.  Be back later.

What have I been working on? Last week I needed to get photography done for an entry that was to be in by June 30.  Application had to be filled out, etc.  This is for the Mid-States Exhibition that is held every year at the museum in Evansville.  I have only entered once and didn’t get in, but this year I felt I had something that might get accepted. But who knows?  The previous year that I entered, I was beat out by a nylon stocking with rocks or something in it that really looked like a bull’s testicle.  It was supposed to be some sort of  “necklace”.

Here’s some stitching I did on a deconstructed print…I am thinking of making some small bags with these prints.

none 115

I got out my Featherweight machine to do this with because I want to demo free form stitching with a Featherweight for an upcoming class.  These machines can be a little touchy.  I couldn’t get it to stitch in free form mode because the needle was in backwards.  But once I figured out that’s why it wouldn’t stitch, all was well!

I loaded some new little bundles of fabric to my etsy shop and someone picked one of them up for a treasury.  That’s never happened before and has increased hits to my shop, although not a sale yet.  Keep fingers crossed. I need to keep working the shop, although I get sidetracked in the morning and forget to load pictures.

Piece of fabric I dye painted a couple of weeks ago…not sure where it’s going yet.

none 014

by kathy at June 29, 2009 05:32 PM

June Underwood

Color studies: Lucia Salemme — & Jan


salemme1Jan and I continue our explorations of color (Color Exercises for the Painter by Lucias Salemme), and, glory be, we have reached Exercise 4. Exercise 4 calls for a painting rather than samples (see the photo above) of what you can do with various pigments. Because Jan (daughter) and I figure this is a good 5 year project and excellent for mother-daughter bonding as well as gathering of gossip, we make slow progress — we work only on Sundays when both of us are available and we don’t try to do too much in any one session.

So Sunday the 28th of June, we got to paint a landscape in “earth” colors. One of Salemme’s charms is that the book was published in 1970 (smells sort of musty) and uses concepts and language current during that period. My more hip artist friends have been a trifle critical of its drawbacks, but I, being ancient, see them as historical artifacts which might actually contain bits of truth.

At any rate, in Exercise 4, we were to use the “earth colors” and make an actual landscape: the paints “allowed” are raw umber, burnt umber, raw sienna, burnt sienna, yellow ochre, Indian Red, and terre verte (which Salemme call “green earth”, which I couldn’t find anywhere and am assuming that for artistes, the French has come to serve the same purpose).

Here’s Jan, excited about the prospect of painting and practicing her measuring skills. Or something:

salemme2wNote that there’s nothing on the boards on her easel. She’s holding the instructions, which tend to be the opposite of Betty Edwards, our last artist companion. Edwards spelled everything out in such detail that we were left gasping; Salemme is pretty cavalier about what to do. “Paint a landscape. Use a rag to wipe out the light spots. Don’t use anything but earth colors until you near the end of the process.” OK, we can do that.

I disliked my painting, and so won’t make it visible, but Jan, who worked from the cover of a book about painting landscapes by John Carlson, did beautifully. You didn’t know that genes worked backwards through the family structure, did you?

salemme3wAlready her sense of color seems to exceed mine. I’m going out today and copy what she did — but hush, don’t tell her. After all, I am her mother and supposed to be the expert in all things. I wouldn’t want her to know otherwise. –June

By the way, Comcast shut down totally last night and is incredibly slow this AM, so my daily post, which normally is set to appear at 5 AM Pacific time, is now going to upload now, at 9:30. Or so I hope.

by june at June 29, 2